Nature aesthetics and pedagogy of Contact Improvisation dance jams in Spain
نویسندگان
چکیده
منابع مشابه
Coordinated Interpersonal Behaviour in Collective Dance Improvisation: The Aesthetics of Kinaesthetic Togetherness
Collective dance improvisation (e.g., traditional and social dancing, contact improvisation) is a participatory, relational and embodied art form which eschews standard concepts in aesthetics. We present our ongoing research into the mechanisms underlying the lived experience of "togetherness" associated with such practices. Togetherness in collective dance improvisation is kinaesthetic (based ...
متن کاملEmergent Patterns in Dance Improvisation and Choreography
In a traditional choreography a choreographer determines the motions of a dancer or a group of dancers. Information theory shows that there is a limit to the complexity that can be created in any given amount of time. This is true even when building on previous work, since movements and their interactions have to be communicated to the dancers. When creating a group work, choreographers circumv...
متن کاملImprovisation: An Integral Step in Piano Pedagogy
Acknowledgments Improvisation Contextualized Improvisation vs. Composition Improvisation in Keyboard Pedagogy Teaching Philosophy of Robert Pace Improvisation in Current Piano Method Books Keyboard Reading Approaches Method Book Review Frances Clark and the Music Tree Faber and Piano Adventures The Hal Leonard Student Piano Library Robert Pace and Musicfor Piano Application of Improvisation in ...
متن کاملAesthetics and Design for Group Music Improvisation
Performing music as a group—improvised or from sheet music—is an intensive and immersive interaction activity that bears its own aesthetics. Players in such a setting are usually skilled in playing an instrument up to the level where they do not need to focus on the “operation” of the instrument, but can instead focus on higher-level feedback loops, e.g., between players in their section or the...
متن کاملAn Aesthetics of Nature Consequences of Merleau-Ponty’s embodied ontology
In his courses on Nature, the French phenomenologist Maurice Merleau-Ponty clearly does not agree with Kant's antropocentrism. In particular the Kantian notion of the disinterestedness of aesthetic perception is untenable in an aesthetics of nature which is inspired by Merleau-Ponty's thought. Nature and human embodiment are seen as separated in this Kantian tradition. In Merleau-Ponty’s pheno...
متن کاملذخیره در منابع من
با ذخیره ی این منبع در منابع من، دسترسی به آن را برای استفاده های بعدی آسان تر کنید
ژورنال
عنوان ژورنال: cultura_ciencia_deporte
سال: 2014
ISSN: 1696-5043,1989-7413
DOI: 10.12800/ccd.v9i26.429